“We’re making bank because we’re at war now. This war ends and you’re not going to be able to sustain your lifestyle.“
“Relax, man. This war ain’t ending any time soon.“
The above video is from the amazing mid-GWOT game ‘Army of Two.’
It was released in 2008 at the height of the war on terror, and the title is a play on the much-maligned ‘Army of One‘ recruiting slogan which emerged just before the 9/11 attacks.
The game is meant to be played with two players cooperatively. Salem and Rio, the two characters, are private military contractors (mercenaries) who go to war for money. The entire game is a caricature of where were were at the time.
And it was just fun to play.
I remember getting to this part of the game and nodding in agreement, because it’s a sentiment I saw over and over again. Once the GWOT started, we got into a rhythm of repeat deployments. Many soldiers came home after a year deployed with tens of thousands of dollars in their bank accounts – mainly from not spending anything over the course of the deployment. It was more money than most will ever see on their ATM receipt again.
Flush with cash, spending got a little outrageous. If you were around any military post in the early days of the GWOT, it was ridiculous how many giant HUMMERs you would see on the road.
With the deployments constantly coming, many got into a binge/purge cycle. Spend a lot of money, max out some credit cards, pay it off through the deployment.
And when contracts came up, many soldiers compared their lives (and their salaries) in the Army with what they could be making if they just got out and took a job as a private military contractor.
I’ve seen it, and I can explain it, but I never heard it put that way before.
“I saw the best minds of my generation sent off to divide by zero.”
It instantly makes sense.
What he’s talking about is the “GWOT effect.” Incredibly smart and passionate Amerians sent overseas to “win.”
You see it at all levels – from the soldiers on the ground to the Generals in the Pentagon.
If we could just find the right strategy, the right force mix, put the right nouns and verbs in the right order.
If we could have just – one – more – year – we can turn this thing around.
A few years ago, I saw the “GWOT Effect” perfectly captured in the back-and-forth between Brad Pitt and TIlda Swinton’s characters in the 2017 film War Machine. In it, General “McMahon” is briefing a pool of politicians on the strategy to win the war. It’s a brief he is used to giving because he’s done it over and over and over again – to soldiers, to staffs, to politicians, and to the media. He’s good at it. And people believe him. But here, in this one, he is challenged (Note: I couldn’t find the clip, so the dialogue will have to do – source).
German politician:General, the US invaded Afghanistan because of the al-Qaeda attacks on September 11th. This is correct sir?
German politician:You have been speaking to us now for 45 minutes and yet in all of that time you have only mentioned al-Qaeda once. Your own vice president has advocated a much smaller and simpler counterterrorism approach to incapacitate what is estimated to be a little more than 100 al-Qaeda fighters that still remain in Afghanistan to refocus on what it was that started this war in the first place.
German politician: Your analysis of the insurgency there suggests to me there is no monolithic Taliban. You are spread over the entire country. You are fighting 1,000 separate battles with locals whose principal ideological position would seem to be simply that they don’t want foreign soldiers in their village. And that, General, you must know, is a war you will never win.
General: Ah. Uh, with all due respect, ma’am. Uh I must beg to differ. I firmly believe, having traveled to all corners of the country, having spoken with many people from many walks of life . . . that what these people want is the very same thing that you and I want. Hmmm? Freedom, security, stability, jobs. Progress is being made. Real Progress. But challenges do remain.
German politician:Yes, I understand all of that, General. And . . .and , please let me say quite sincerely that I do not question the goodness of your intent. I have been listening to you here this morning, and, uh. . . I believe you are a good man. I do. What I question is. . . your belief in your power to deliver these things that you describe. I question your belief in the power of your ideals.
General:Ah, well. . .
German politician:I think what I am trying to say, and I apologize, General, if this is sounding impolite, but I question your sense of self.
General: I appreciate your commentary. I do. But I have a job to do.
German politician:Yes, I understand, And I also have a job to do. And I’m trying to do mine. As an elected representative of the people of Germany, it is my job to ensure that the personal ambitions of those who serve those people are kept in check. You have devoted your entire life, General, to the fighting of war. And this situation in Afghanistan, for you, it is the culmination of all your years of training, all your years of ambition. This is the great moment of your life.
General:Well. . . .
German politician: It’s understandable to me that you should have, therefore, a fetish for completion to make your moment glorious. It is my job, however, to ensure that your personal ambitions are not entirely delusional and do not carry with them an unacceptable cost for everybody else.
Of course we are going to try to win. That is the task. But there does come a point where it all seems to get a bit out of hand.
There’s another scene from War Machine that captures this idea. It’s a scene lifted almost directly out of the Michael Hasting’s article which the movie is based on. General McMahon is traveling Afghanistan, explaining to troops how to win the war.
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This is the second time I’ve written about a FTGN Podcast episode. The first was on retired General Joseph Votel. This one is their recent episode with retired General Stanley McChrystal. Retired generals do a lot of interviews, and they are (often) master communicators. It’s rare, then, that I actually find myself latching onto something that really grips me. In General Votel’s case it was his thoughts on reflecting that got me thinking.
For no other reason, you should listen to this episode because in it, McChrystal discusses how he dealt with his resignation in the wake of the infamous Rolling Stone article. This is the only time I ever really heard him talk about that. It’s a mini case-study in resiliency. And he makes an argument for narrative patience – what seems like an overwhelming avalanche today mostly dissapears by tomorrow.
Outside of that, it was three little things that caught my attention.
First, McChrystal mentioned John R. Vines as one of his significant mentors. John Vines is one of those names that you hear a lot in the Airborne/Ranger community of yore. He was the Division Commander of the 82nd Airborne Division when I arrived in 2001. When the GWOT started, he held roles in Afghanistan and later went on to command Multi-National Corps-Iraq in 2005-2006. I’ve only interacted with him in the way that a Private normally interacts with a Division Commander – from the position of attention or parade rest, far away in a formation. What I remember, though, is he had an incredible reputation for being a paratrooper’s paratrooper. I always had the sense that he was revered as the epitome of what it meant to be an officer in the 82nd.
His name is not one you hear much about these days. He retired shortly after the GWOT began. But I suspect his leadership and mentorship had a significant hand in the careers of many of the General Officers we know today. McChrystal, Petraeus, and Votel were all Deputy Commanding Generals of the 82nd Airborne Division, and Vines’ thumbprint was (and is) deeply embedded there. I can only imagine there is still a cadre of senior officers who can point back to Vines as their chief mentor.
Second, McChrystal discusses the fact that many of the most professional, courageous, and competent special operators he knew and served with were not all that different from the adversaries he faced in Iraq and Afghanistan. “Not that different,” in the sense that they too were wholly committed to a cause and willing to die for it. They were stoic, dedicated, and professional. It is refreshing to hear this from someone of McChrystal’s stature. Too often, our enemies or adversaries are simply dismissed as maniacal or incompetent. No one wants to give credit to an adversary, but in refusing to do that we blind oursevles to reality. McChrystal says that it is by “accident of birth” that he – and others like him – are on this side of the battle.
And finally, when asked to recommend a book, McChrystal recommended the classic Once an Eagle.
Still haven’t read it.
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A couple of months ago I was listening to an episode of the Angry Planet podcast that featured a conversation with Gregory Daddis about his book Pulp Vietnam (now on my reading list). The conversation meandered towards depictions of the American war experience, the military and ‘homecoming’ in film. For the most part, we’ve reached a place where these depictions have become mostly cartoonish or simply exploitative (10 second “surprise homecoming” videos on the nightly news). There are exceptions, of course, but it is rare that the true essence of “what it’s like” is captured in media.
Anyway, Daddis mentioned the film “The Best Years of Our Lives” as one of the best in this category (homecoming). I had never heard of it, and I am endlessly fascinated with the subject, so I made a note to check it out.
Produced at the end of World War II, the film follows the story of three veterans who return home at the war’s conclusion to the same Midwestern hometown – a grizzled infantry NCO who is actually a wealthy banker with a family, a dashing officer and bombardier who comes from a poor family and lived in a shack, and a young sailor who lost both his hands in an accident during the war. The film follows the three through their homecoming experience over time. The elation of being home and free, the dissatisfcation with “regular life,” depression and flirtations with alcoholism, and the frustration of trying to get things going.
The film was a commerical and critical success – winning seven Academy Awards while also selling out theaters during its release.
Given its contemporary popularity and critical success, how could I have not have heard of it?
It’s not a war movie. It’s not about combat. It’s about people and family – the veterans and the folks around them – and the real struggle that they all face when veterans return home.
It’s odd to me that perhaps the best film to capture “what it’s like” – even now – came out right as the big war ended nearly 80 years ago. It kind of makes sense though. It was still so raw and new, there wasn’t time to mythologize the war as it would be shortly thereafter. Things were still too fresh and the only way to tell the story was the way it was being experienced. Anything else would have been a fantasy.
It’s 2021 now. We’re twenty years removed from the start of the Global War on Terrorism. So many men and women have run through that gauntlet (and still do today). Personally, I’ve been so wrapped up in the machinations of that grind that it’s easy to forget what’s going on.
The movie holds up. I found that the characters are more relateable today than most of the archetypes depicted in other media – film, games, literature, whatever.
For a much better synopsis of the film, here is a 2007 review by Roger Ebert.
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