That’s the title of an editor’s note from a February 1968 issue of Life Magazine. I heard about it on a recent episode of On The Media (link below).
Before the Vietnam War there was a law that banned women from reporting on the frontlines of any war for the U.S. When President Johnson refused to officially declare a state of war in Vietnam, an opening appeared: no war, no ban. A handful of pioneering women bought one-way tickets into the battlefield. They had no editors, no health insurance and little or no formal training. This week, Brooke spoke about this time to reporter Elizabeth Becker, formerly a Washington Post war correspondent in Cambodia, NPR’s foreign editor and then national security correspondent for the New York Times. Becker is the author of a new book: You Don’t Belong Here: How Three Women Rewrote the Story of War.“You Don’t Belong Here” | On the Media | WNYC Studios
While the profiles of all three women were impressive and fascinating, I was struck by the story of Catherine Leroy. The lines that grabbed my attention are below:
Brooke: The photographs that she took were legendary. Of course, later tremendously celebrated. You mentioned in passing, she was a parachutist, she was the first photojournalist to take photos from the air.
Elizabeth: She was the first and only because that was the first and only airborne assault of the whole Vietnam War. She was the only one in Vietnam at the time who was even qualified. You can imagine this teeny woman jumping with these big American airborne helmet, boots, she jumps and she’s got three cameras around her neck and you’d think one of them would have flown in her face but no, she managed to get gorgeous photographs that they almost look like ballet. Then, she lands in a combat zone. I get shivers when I think about it.
There’s also this retrospective from the New York Times: The Greatest War Photographer You’ve Never Heard Of.
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