A couple of months ago I was listening to an episode of the Angry Planet podcast that featured a conversation with Gregory Daddis about his book Pulp Vietnam (now on my reading list). The conversation meandered towards depictions of the American war experience, the military and ‘homecoming’ in film. For the most part, we’ve reached a place where these depictions have become mostly cartoonish or simply exploitative (10-second “surprise homecoming” videos on the nightly news). There are exceptions, of course, but it is rare that the true essence of “what it’s like” is captured in media.
Anyway, Daddis mentioned the film “The Best Years of Our Lives” as one of the best in this category (homecoming). I had never heard of it, and I am endlessly fascinated with the subject, so I made a note to check it out.
Produced at the end of World War II, the film follows the story of three veterans who return home at the war’s conclusion to the same Midwestern hometown – a grizzled infantry NCO who is actually a wealthy banker with a family, a dashing officer and bombardier who comes from a poor family and lived in a shack, and a young sailor who lost both his hands in an accident during the war. The film follows the three through their homecoming experience over time. The elation of being home and free, the dissatisfaction with “regular life,” depression and flirtations with alcoholism, and the frustration of trying to get things going.
The film was a commercial and critical success – winning seven Academy Awards while also selling out theaters during its release.
Given its contemporary popularity and critical success, how could I have not have heard of it?
It’s not a war movie. It’s not about combat. It’s about people and family – the veterans and the folks around them – and the real struggle that they all face when veterans return home.
It’s odd to me that perhaps the best film to capture “what it’s like” – even now – came out right as the big war ended nearly 80 years ago. It kind of makes sense though. It was still so raw and new, there wasn’t time to mythologize the war as it would be shortly thereafter. Things were still too fresh and the only way to tell the story was the way it was being experienced. Anything else would have been a fantasy.
It’s 2021 now. We’re twenty years removed from the start of the Global War on Terrorism. So many men and women have run through that gauntlet (and still do today). Personally, I’ve been so wrapped up in the machinations of that grind that it’s easy to forget what’s going on.
The movie holds up. I found that the characters are more relatable today than most of the archetypes depicted in other media – film, games, literature, whatever.
For a much better synopsis of the film, here is a 2007 review by Roger Ebert.
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